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Fwd: FW: December 11 DASER on Art and Ecology

2014-12-04

--001a113ee626010e2e050965dde3 Content-Type: multipart/alternative; boundary1a113ee626010e2b050965dde2 --001a113ee626010e2b050965dde2 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable not in texas but as JD Talasek points out the topic relevant to our gulf coast roger malina *From:* Talasek, J.D. [mailto:JTalasek@nas.edu] *Sent:* Thursday, December 04, 2014 8:58 AM *To:* Malina, Roger *Cc:* Katie Robinson Edwards (katie.edwards@umlaufsculpture.org); Diane Sikes (diane.sikes@umlaufsculpture.org); Leah Quayle ( leah.quayle@umlaufsculpture.org) *Subject:* FW: December 11 DASER on Art and Ecology Hi: I know this event is in DC but the topic of Art and Ecology that will be discussed directly relates to the situation in the Gulf. We will be live webcasting the event so I hope that you might tune in and/or forward this announcement to those in our ATX LASER region who might be interested. The webcast link is http://www.cpnas.org/events/webcast-information-instructions.html?utm_medium=etmail&utm_source=Cultural%20Programs%20of%20the%20NAS&utm_campaign=Oct%202012%20DASER&utm_content=Web&utm_term=&utm_medium=etmail&utm_source=Cultural%20Programs%20of%20the%20NAS& Email questions to me directly during the event at jtalasek@nas.edu *DASER* Join CPNAS at the D.C. Art Science Evening Rendezvous (DASER), a monthly discussion forum on art and science projects in the national capital region and beyond. This month, DASER explores the topic of *art and ecology *and is organized in conjunction with the exhibition Brandon Ballengée: Collapse . Ballengée will lead a tour of the exhibition during the reception following the discussion. This free public event is on Thursday, December 11 from 6 p.m. to 8 p.m. in the Auditorium of the NAS Building. Doors open at 5:30 p.m. and a reception follows from 8 p.m. to 9 p.m. Reserve your seat today . *Speakers:* *Brandon Ballengée, *artist, biologist, and environmental educator, New York City *Benjamin Dubansky,* developmental biologist, University of North Texas, Department of Biological Sciences, Developmental Integrative Biology Cluster, Denton *Ariel Trahan*, director of education, Anacostia Watershed Society, Washington, D.C. *Kim Waddell*, senior program officer, Gulf Research Program, The National Academies, Washington, D.C. *Facilitator: JD Talasek, *director, Cultural Programs of the National Academy of Sciences, Washington, D.C. For those unable to attend, DASER will be webcast beginning at 5:30 p.m. Access the webcast . DASER will also be videotaped and the videos will be available on the CPNAS YouTube channel in mid-January. Join the Twitter conversation with #DASER. *Inquiries should be directed to: **Alana Quinn* *JD Talasek* *Director,* Cultural Programs of the National Academy of Sciences 500 5th Street, NW / Washington, DC 20001 (o) 202 334 3104 (f) 202 334 1690 [image: LogoCPNAS thumb] -- Roger F Malina Creative Disturbance : Enabling Serendipity and Synchronicity PLEASE DONATE TO OUR CROWDFUNDING CAMPAIGN FOR CREATIVE DISTURBANCE !! https://www.kickstarter.com/projects/1008226087/creative-disturbance Roger is in Dallas --001a113ee626010e2b050965dde2 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable
not in texas but as JD Talasek points out
the topic relevant to our gulf coast
roger malina

 

From: Talasek, J.D. [mailto:JTalasek@nas.edu]
Sent: Thursday, December 04, 2014 8:58 AM
To: Malina, Roger
Cc: Katie Robinson Edwards (katie.edwards@umlaufsculpture.org); Diane Sikes (diane.sikes@umlaufsculpture.org); Leah Quayle (leah.quayle@umlaufsculpture.org)
Subject: FW: December 11 DASER on Art and Ecology

 

Hi:

I know this event is in DC but the topic of Art and Ecology that will be discussed directly relates to the situation in the Gulf.  We will be live webcasting the event so I hope that you might tune in and/or forward this announcement to those in our ATX LASER region who might be interested.

 

The webcast link is http://www.cpnas.org/events/webcast-information-instructions.html?utm_medium=etmail&utm_source=Cultural%20Programs%20of%20the%20NAS&utm_campaign=Oct%202012%20DASER&utm_content=Web&utm_term=&utm_medium=etmail&utm_source=Cultural%20Programs%20of%20the%20NAS&

 

Email questions to me directly during the event at jtalasek@nas.edu

 

 

DASER

 

 

Join CPNAS at the D.C. Art Science Evening Rendezvous (DASER), a monthly discussion forum on art and science projects in the national capital region and beyond. This month, DASER explores the topic of art and ecology and is organized in conjunction with the exhibition Brandon Ballengée: Collapse. Ballengée will lead a tour of the exhibition during the reception following the discussion. This free public event is on Thursday, December 11 from 6 p.m. to 8 p.m. in the Auditorium of the NAS Building. Doors open at 5:30 p.m. and a reception follows from 8 p.m. to 9 p.m. Reserve your seat today.


Speakers:


Brandon Ballengée, artist, biologist, and environmental educator, New York City


Benjamin Dubansky, developmental biologist, University of North Texas, Department of Biological Sciences, Developmental Integrative Biology Cluster, Denton


Ariel Trahan, director of education, Anacostia Watershed Society, Washington, D.C.


Kim Waddell, senior program officer, Gulf Research Program, The National Academies, Washington, D.C.


Facilitator:

JD Talasek,
director, Cultural Programs of the National Academy of Sciences, Washington, D.C.


For those unable to attend, DASER will be webcast beginning at 5:30 p.m. Access the webcast. DASER will also be videotaped and the videos will be available on the CPNAS YouTube channel in mid-January. Join the Twitter conversation with #DASER.

 

 

 

Inquiries should be directed to:  Alana Quinn

 

 

JD Talasek

Director,  Cultural Programs of the National Academy of Sciences

500 5th Street, NW   /   Washington, DC 20001

(o) 202 334 3104

(f)  202 334 1690

LogoCPNAS thumb

 

 

 



--
Roger F Malina

Creative Disturbance : Enabling Serendipity and Synchronicity

PLEASE DONATE TO OUR
CROWDFUNDING CAMPAIGN FOR CREATIVE DISTURBANCE !!

https://www.kickstarter.com/projects/1008226087/creative-disturbance


Roger is in Dallas
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the first UTD ATEC and EMAC Crowdfunding Month

2014-11-27

We are pleased to announce the first ATEC and EMAC Crowdfunding Month ! ATEC Crowdfunding Month is a period of 30 days where ongoing crowdfunding campaigns run or assisted by ATEC and EMAC faculty and/or students are promoted throughout the ATEC and EMAC Communities. We hope you will back the projects !! Roger Malina ATEC Associate Director HERE ARE THE FOUR CAMPAIGNS UNDER WAY 1) CREATIVE DISTURBANCE -- ATEC students and faculty seek $20,000 for an international network and podcast platform supporting collaboration among the arts, sciences and new technologies communities. https://www.kickstarter.com/projects/1008226087/creative-disturbance?ref=card 2) INNERSPACE -- ATEC students seek $25,000 to complete their highly stylized and original independent video game. https://www.kickstarter.com/projects/2074789246/innerspace?ref=card 3) 3D360 FOR BLUE HIGHWAY -- An ATEC student seeks $12,000 for 360 degree / 3D camera equipment to film shorts from a feature length film for the Oculus Rift. https://www.kickstarter.com/projects/1398578494/3d360-gear-for-blue-highway?ref=card 4) UP IN THE AIR, DOWN ON THE GROUND – An ATEC student seeks $6,000 for a short, light-hearted animated film. https://www.indiegogo.com/projects/up-in-the-sky-down-on-the-ground-and-onscreen --

[MARKETING] Are you Creatively Disturbed? | Creative Disturbance is on Kickstarter - Pledge today!

2014-11-07

Are you Creatively Disturbed? | Creative Disturbance is on Kickstarter - Pledge today!
Creative Disturbance is live on Kickstarter! 
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Driven by a small-world team and a unique bunch of voices.

The coolest thing happening in the arts & sciences.

November 7 - December 7

Creative Disturbance is an international, multilingual network and podcast platform supporting collaboration among the arts, sciences, and new technologies communities. 

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Fwd: Austin Texas LASER: November 18 at 7pm @ the Umlauf

2014-11-05

ATX LASER: Where Art Meets Science in Austin, TX WHO: Umlauf Sculpture Garden & Museum WHAT: ATX LASER: Where Art Intersects Science in Austin WHERE: Umlauf Sculpture Garden & Museum 605 Robert E. Lee Rd., Austin, TX 78704 WHEN: 7-9:30p.m. November 18, 2014 RSVP: atxlaser.eventbrite.com MEDIA: For more information contact Diane Sikes programs@umlaufsculpture.org and 512/445-5582 Umlauf Sculpture Garden & Museum Presents ATX LASER: Where Art Meets Science in Austin Interactive series gives new insight into seemingly opposing worlds AUSTIN, TEXAS—Inspired by a noticeable trend of growing interest in the convergence of art, science and technology, the Umlauf Sculpture Garden & Museum (Umlauf) in partnership with Leonardo/The International Society for the Arts, Sciences, and Technology will host its fourth ATX LASER (Austin – Leonardo Art Science Evening Rendezvous) event November 18. The engaging series is free and open to the public. Paying homage to Charles Umlauf’s creativity and innovative use of material, ATX LASER is led by progressive thought leaders in a variety of disciplines and backgrounds. ATX LASER is a series of salons that seeks to encourage dialogue between diverse perspectives on innovation within the art and science communities. A significant catalyst for cross-disciplinary innovation today is the vast variety of new technologies being developed and their applications which are often creative and unexpected. The ATX LASER panel of speakers this month will explore this intersection between creativity and technology. Guest speakers will include: Optics and Holography inventor, research, and maker Craig Newswanger Newswanger is an internationally recognized holographer and inventor. Currently the CTO at Zebra Imaging, Inc., he has a 35 year history in the field of holography and related fields. Following 6 years with Disney as an Imagineer , he partnered with friends to make large format holograms at Advanced Dimensional Displays. Newswanger is named in 17 patents as either inventor or co-inventor and in his spare time enjoys making unique machines that generate drawings, music and large sparks (but not all at the same time usually). University of Texas Assistant Professor Suzanne A Pierce Suzanne A. Pierce is an Assistant Professor of Research with the Environmental Science Institute and Center for Agile Technology at The University of Texas at Austin. Dr. Pierce studies the use of science-based information for decision support. Her work links Big Data problems for energy and groundwater with visualization and 3D printed objects through games and interactive simulations. Current research is focused on collaborations with stakeholders in Texas, South Australia, and the Atacama Desert of Chile. Dr. Pierce co-founded and now advises re:3D, a global 3D printing and technology company that builds and distributes the large-format Gigabot 3D printer. President of Van Duzen Inc, Nancy Hairston. Nancy Hairston trained as a sculptor and worked for Silicon Graphic/Alias in 3D animation and special effects during the rise of computer graphics in the 90s. With the rapid improvement of cad-computer aided design-systems, she became involved in engineering and the possibility of combining art with technology. Hairston started her own company, Vanduzen Inc with brands Sculptcad in 2002 and Medcad in 2005. The company specializes in 3D printing technology and manufactures custom medical devices and surgical kits. In 2010, Medcad developed the accuplan system, the first iPad drive surgical planning app allowing surgeons to plan their cases in 3D. TeVido’s CEO Laura Bosworth. Laura Bosworth is CEO and co-founder of TeVido BioDevices, an early stage biotech start-up developing innovative, tissue engineered products for wound-healing, burns and reconstructive surgery. Ms. Bosworth is a dynamic former Fortune 50 executive with over 24 years of cross-functional industry experience. With over 17 years in product, process and service development at both the engineering and marketing level, she has experience launching new business start-ups within a larger corporation. Following the speaker presentations, an open discussion will commence where participation is welcomed and encouraged from all attendees. For more information about ATX LASER and other Umlauf events, please visit umlaufsculpture.org About ATX LASER ATX LASER was conceived by J.D. Talasek, UMLAUF scholar-in-residence, in partnership with the nonprofit Leonardo/The International Society for the Arts, Sciences, and Technology (Leonardo/ISAST). Talasek is Director of Cultural Programs of the National Academy of Sciences in Washington, D.C. and the founder of the D.C. Art Science Evening Rendezvous (DASER) program. His co-organizers for ATX LASER are Katie Robinson Edwards, PhD., UMLAUF Curator, and Diane Sikes, UMLAUF Director of Programs. About Leonardo/The International Society for the Arts, Sciences, and Technology The Leonardo/The International Society for the Arts, Sciences, and Technology (Leonardo/ISAST) is a nonprofit organization that serves the global network of distinguished scholars, artists, scientists, researchers, and thinkers through programs focused on interdisciplinary work, creative output and innovation. Visit the Leonardo/ISAST website for more information at www.leonardo.info About the Umlauf Sculpture Garden & Museum Founded in 1991, The Umlauf Sculpture Garden & Museum is a non-profit 501(c)(3) organization established around a vast collection of work by American sculptor Charles Umlauf who donated his home, studio and 168 pieces of sculpture to the City of Austin. The property was then transformed into a sculpture garden and exhibits the work of the prolific artist. The museum’s mission is to provide educational experiences that encourage understanding and appreciation of sculpture in a natural setting through workshops, classes, tours and exhibitions. The year 2014 marks the expansion of the museum’s initiatives, including the connection of the museum to the residence and studio of Charles Umlauf as well as the update and extenuation of the museum’s educational and public programming, benefiting the Austin community and visitors from across the world. JD Talasek Director, Cultural Programs of the National Academy of Sciences

CFP: Texas Digital Humanities Conference (UT-A, 4/9-11/15; deadline 1/10/15)

2014-10-30

The second annual Texas Digital Humanities Conference, cosponsored by the UT Arlington College of Liberal Arts; the UTA Libraries; and the UTA Departments of English, History, Linguistics, and Art and Art History, welcomes submissions for twenty-minute individual papers and poster presentations for a conference on work in the Digital Humanities. This conference encourages submissions from a broad spectrum of communities: university and K-12 educators, graduate students, and undergrads; museum and archives professionals; library professionals; and independent scholars.

 

The conference will begin with a keynote address on the evening of Thursday, April 9, and will conclude with a hackfest on the afternoon of Saturday, April 11.

 

Keynote Speakers:

Alan Liu, Professor of English, University of California, Santa Barbara
Adeline Koh, Director, DH@Stockton, Associate Professor of Literature, Richard Stockton College

 

Topics

We welcome oral presentation and poster session submissions on any topic relevant to digital humanities. Possible topics include (but are not limited to)

  • Digital humanities in the classroom: K-12 or higher ed
  • Funding digital humanities at your institution
  • Sourcing DH projects: how & where to find what/whom you need to do your DH project
  • GIS and humanities
  • Starting and sustaining a DH lab space
  • Locating the edge of digital in broaders ways that impact humanities
  • Current DH projects in different humanities disciplines
  • Interdisciplinary DH: pitfall or career boost?

 

Proposal Submissions

The conference will include oral presentation and poster session opportunities. The twenty-minute presentations slots will include fifteen minutes for presentation and five minutes for questions. Submissions for twenty-minute presentations should include a maximum 500-word abstract. Submission of themed panel presentations (with an anticipated panel time of forty minutes) are also encouraged. Graduate students should also indicate whether they would like to be considered for a travel bursary (see below). We will also accept poster-only submissions, and submissions for twenty-minute presentations will automatically be considered for poster presentations. Posters should be ready for display by the conference, which will include a dedicated poster session in which poster presenters can interact with other participants, as well as a “minute madness” session, for which the presenter should prepare 1 slide and be prepared to explain it in sixty seconds.

 

The deadline for submissions is **January 10, 2015**.

 

Spencer D. C. Keralis

Research Associate Professor
UNT Libraries
spencer.keralis@unt.edu

(940) 369-6884

 

UT Dallas Center for Values in Medicine, Science, & Technology - Early Announcement

2014-10-16

Dear All, This speaker series at the UT Dallas Center for Values in Medicine, Science, and Technology may be of interest. The theme is sex and gender in science and technology. Official publicity materials will be circulated later. In the meantime, you may want to mark your calendars! The list of speakers and topics follows. For more information on each event, visit https://www.utdallas.edu/ah/events/events-centers.html#c4v Lise Eliot Sex, Brain and Culture: The Science and Pseudoscience of Gender Difference Jan 28, 2015 (7:30 p.m.) Jonsson Performance Hall Free Anita Sarkeesian Tropes vs. Women in Video Games Feb 11, 2015 (7:30 p.m.) TBD Free Carla Fehr Overcoming Ignorance About Excellence: Improving the Representation of Women in Science and Engineering Mar 11, 2015 (7:30 p.m.) Jonsson Performance Hall Free Matthew J. Brown Love Slaves and Wonder Women: Values,Social Reform, and the Psychology of William Moulton Marston Mar 25, 2015 (7:30 p.m.) Jonsson Performance Hall Free Sarah Richardson Gender and Science at the Interface of Mother and Fetus Apr 9, 2015 (7:30 p.m.) TBD Free Best, _____ Kim Knight, PhD Assistant Professor Emerging Media and Communication UT Dallas - Arts and Humanities kim.knight@utdallas.edu http://kimknight.com

Making Sense symposium, Oct 17-18 in College Station

2014-10-15


 The Texas A&M Department of English and University Libraries are joining to host the “Making Sense: handwriting and print” symposium on October 17-18, 2014. The aim of this symposium, which is free and open to the public, is to bring together a variety of creators and scholars to think about the many ways that media work together, whether in cooperation or in competition for our attention.  Our goal is to complicate the too-simple understanding of new media based on an idea of “replacement” by looking historically, interdisciplinarily, and cross-culturally at the many ways in which media interact. Full information about the symposium can be found at our website, makingsensewriting.wordpress.com . 


 “Making Sense” will bring together six experts – including practitioners of contemporary book arts and scholars of handwriting, print, and textual production with expertise in paleography, graphic novels, and British, American, and Japanese literatures – to present plenary addresses:

John Bidwell, Morgan Library & Museum, “Script in the Illustrated Books of Henri Matisse”

Vera Camden, Kent State and Case Western Reserve Universities, “’Lines of Transmission’: Alison Bechdel’s Autographics”

Ellen Gruber Garvey, New Jersey City University, “Cut-and-Paste Pedagogy: Hand, Scissor, Pen, Scrapbook”

Keith Vincent, Boston University, “How a Hundred-Year-Old Manuscript Became a Best Seller: Some Thoughts on Natsume Soseki’s Botchan and Japanese Media History”

Julian Waters, Waters Lettering, “Typefaces and the Influence of the Pen: The Work of Gudrun and Hermann Zapf”

Heather Wolfe, Folger Shakespeare Library, “Tangled Texts in Early Modern England”


 These six experts will be joined by faculty and graduate students at Texas A&M University who will describe the way their research projects engage the rich questions and methods involved in “making sense.” In addition, the symposium will begin with a hands-on workshop to allow participants to experience historical processes which were part of handpress-period bookmaking. Those who wish to participate will be able to set and correct type, print sheets on a historically-accurate English common press, and participate in a demonstration of typecasting.


 “Making Sense” is sponsored by the Texas A&M University Libraries; the Melbern G. Glasscock Center for Humanities Research; the Sara and John Lindsey Chair of Liberal Arts; the Initiative for Digital Humanities, Media, and Culture; and the Department of English.

Attendance at the “Making Sense” symposium is free and open to any who wish to participate. Registration forms, a complete schedule of events, and additional information can be found on the symposium’s website: http://makingsensewriting.wordpress.com/

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For more information, contact the symposium’s co-organizers, Margaret Ezell and Mary Ann O’Farrell of the English Department or Todd Samuelson at Cushing Memorial Library:979.845.1951 ortodd.samuelson@tamu.edu .

 

Luciano Chessa at UT Dallas

2014-10-05

Luciano Chessa is giving a colloquium and concert at UT Dallas ------ October 9, 2014 3:00 pm Luciano Chessa Music the Dead Can Hear:” Theosophical Presences in Luigi Russolo’s Art of Noises Edith O’Donnell Institute for Art History Ad Astra Series Location: ATC 3.805B Bio and Summary: Musicologist, composer, and performer Luciano Chessa (San Francisco Conservatory of Music) is the author of Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult (2012). Chessa’s study and his lecture present a completely new reading of the mechanical sound synthesizers— the intonarumori— painter/musician Luigi Russolo created beginning in 1913. Chessa, along with other Italian scholars, has reestablished the previously unacknowledged prominence of occultism, including Theosophy, in early 20th-century Italian culture. There it operated in tandem with contemporary scientific ideas about X-rays and wireless telegraphy—all with an emphasis on waves and vibrations and their new communicative potential. With that background he argues that both Russolo’s noise aesthetics and its practical manifestation—the intonarumori—were for him and his Futurist associates elements of a multi-leveled experiment to reach higher states of spiritual consciousness. October 11, 2014 8:00 pm Luciano Chessa and Scot GreshamLancaster in concert Location: ATC 3.805B A premiere concert in the new recording studio space. This intimate setting is a place to discover the direct audio transmissions from two diverse sonic creators. Luciano and Scot promise to surprise you .. one many creative disturbances coming your way.

Oct 6 Colloquium: Algorithms and Aesthetics, by FRIEDER NAKE at UT Dallas

2014-10-05

Colloquium: Algorithms and Aesthetics, by FRIEDER NAKE at UT Dallas Please join us Monday October 6 at 4:00 pm for "Algorithmics and Aesthetics – On Digital Images" by Frieder Nake, Speaker at the Joint Colloquium of Ad Astra, the EODIAH lecture series, and the Arts & Technology Colloquia of UTD. Location TI Auditorium (directions here: http://www.utdallas.edu/directions/ti-auditorium/) Computer art is now about 50 years old. As in McLuhan’s famous slogan, its early attempts were examples of the medium being the message. The algorithmic principle, essence of computing science, became the driving force for this aproach to art. We will review important events and examples of the first years of computer art. It established itself as a very special aspect of conceptual art. Only with interactive art, however, digital art gained enough of autonomy and started formulating its own aesthetic questions. We will take a look at generative aesthetics, and show some, perhaps surprising, connections to the broad stream of art history, e.g. Monet, Mondrian, Pollock, Albers, Götz, G. Richter. Frieder Nake is a mathematician who has done early pioneering work in computer art. He is a professor of interactive computer graphics and digital media at the University of Bremen & University of the Arts Bremen, Germany, and has taught in Canada and many other places. He was a recent nominee for the Visionary Pioneer of Media Art award of Prix Ars Electronica.

Fwd: Balance-Unbalance Conference Call for Papers, Posters, Panels, and Creative Presentations

2014-09-27

---------- Forwarded message ---------- From: Mary Neubauer Date: Fri, Sep 26, 2014 at 3:29 PM Subject: Balance-Unbalance Conference Call for Papers, Posters, Panels, and Creative Presentations To: Mary Neubauer Cc: Kathryn Maxwell http://www.balance-unbalance2015.org/ Dear Colleagues, I wanted to spread the word about Balance-Unbalance, an important conference being held at Arizona State University, 27-29 March, 2015. This international conference brings multiple disciplines together to explore intersections between nature, art, science, new technologies, aid agencies, and society with the goal of developing cross disciplinary initiatives. The conference will look at how innovative art and technology can advance ecological awareness and sustainable practices and is intended to inspire wide-ranging community engagement in the face of unprecedented environmental changes. Balance-Unbalance 2015 envisions the arts as a catalyst for reimagining our current environments. The conference theme is: Water, Climate, Place: Reimagining Environments. Proposal Submission Deadline: November 1, 2014, via the Website http://www.balance-unbalance2015.org/ Sincerely, Mary Mary Neubauer School of Art-Sculpture PO Box 87-1505 Herberger Institute for Design and the Arts Arizona State University Tempe, AZ 85287-1505 mary.neubauer@asu.edu www.sculpture-digital.net